Bill Evans

Bill Evans(1929-1980), was one of the most famous and influential American jazz pianists of the 20th century. 

The Bill Evans Webpages:http://www.billevanswebpages.com/    Bill Evans in Wikipedia http://en.wikipedia.org/wiki/Bill_Evans

Bill Evans in Wikipedia

From Encarta:

 Contemporary jazz pianist Bill Evans was known for expanding the typical jazz trio—piano, bass, and drums—popular in the 1950s and 1960s. Typically, the piano serves as the lead melodic voice while the bassist and drummer set the rhythm. As a pianist and composer, Evans preferred to encourage a creative interaction among all instrumentalists. His work emphasized feeling and attitude and served to develop a shared philosophy among modern-day jazz performers.

Bill Evans 关于学习爵士乐的话，经典，值得思考玩味：

 You use your intellect to take apart the materials and learn to understand them and learn to work with them. But, actually, it takes years and years of playing to develop the facility so that you can forget all of that and just relax, and just play.
不要过分专注于智力上的东西，而是年复一年的弹奏来追求完善自己的技能，那时你可以忘记一切（套路、技巧、聪明等），只是放松，只是弹奏。

Three clips have the Evans trio playing “Emily“, “Alfie” and “Nardis” in YouTube.

还有Bill Evans的一些警句：

“To the person who uses music as a medium for the expression of ideas, feelings, images, or what have you; anything which facilitates this expression is properly his instrument.”

“Perhaps it is a peculiarity of mine that despite the fact that I am a professional performer, it is true that I have always preferred playing without an audience.”

“First of all, I never strive for identity. That’s something that just has happened automatically as a result, I think, of just putting things together, tearing things apart and putting it together my own way, and somehow I guess the individual comes through eventually.”

“My creed for art in general is that it should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise . . . a part of yourself you never knew existed.”

“I believe in things that are developed through hard work. I always like people who have developed long and hard, especially through introspection and a lot of dedication. I think what they arrive at is usually a much deeper and more beautiful thing than the person who seems to have that ability and fluidity from the beginning. I say this because it’s a good message to give to young talents who feel as I used to.”

“A guy is influenced by hundreds of people and things, and all show up in his work. To fasten on any one or two is ridiculous. I will say one thing, though. Lennie Tristano’s early records impressed me tremendously. Tunes like ‘Tautology,’ ‘Marshmallow,’ and ‘Fishin’ Around.’ I heard the fellows in his group building their lines with a design and general structure that was different from anything I’d ever heard in jazz.”

“Technique is the ability to translate your ideas into sound through your instrument. This is a comprehensive technique . . . a feeling for the keyboard that will allow you to transfer any emotional utterance into it. What has to happen is that you develop a comprehensive technique and then say, Forget that. I’m just going to be expressive through the piano.”

“When you begin to teach jazz, the most dangerous thing is that you tend to teach style…I had eleven piano students, and I would say eight of them didn’t’t even want to know about chords or anything – they didn’t’t even want to do anything that anybody had ever done, because they didn’t’t want to be imitators. Well, of course, this is pretty naive…but nevertheless it does bring to light the fact that if you’re going to try to teach jazz…you must abstract the principles of music which have nothing to do with style, and this is exceedingly difficult. So there, the teaching of jazz is a very touchy point. It ends up where the jazz player, ultimately, if he’s going to be a serious jazz player, teaches himself.”

“It’s performing without any really set basis for the lines and the content as such emotionally or, specifically, musically. And if you sit down and contemplate what you’re going to do, and take five hours to write five minutes of music, then it’s composed music. Therefore I would put it in the classical or serious, whatever you want to call it, written-music category. So there’s composed music and there’s jazz. And to me anybody that makes music using the process that we are using in Jazz, is playing Jazz.”

“I’m using the insides of sounds to move around in a very subtle way which, I think, ends up being inevitable. I feel its the only solution to that particular problem that I presented myself.”

“Especially, I want my work–and the trios if possible–to sing.”

“It bugs me when people try to analyze jazz as an intellectual theorem. It’s not. It’s feeling.”

“I’m believe that all people are in possession of what might be called a ‘universal musical mind.’”

“I’m . . . a rather simple person with a limited talent and perhaps a limited perspective.”

“It’s like having a designer dress compared with one from Woolworth’s. Which one is more impressive when you go to the debutante ball?”

“We use the people who are in the bullpen producing.”

“There is a Japanese visual art in which the artist is forced to be spontaneous. He must paint on a thin stretched parchment with a special brush and black water paint in such a way that an unnatural or interrupted stroke will destroy the line or break through the parchment. Erasures or changes are impossible. These artists must practice a particular discipline, that of allowing the idea to express itself in communication with their hands in such a direct way that deliberation cannot interfere. The resulting pictures lack the complex composition and textures of ordinary painting, but it is said that those who see well find something captured that escapes explanation. This conviction that direct deed is the most meaningful reflections, I believe, has prompted the evolution of the extremely severe and unique disciplines of the jazz or improvising musician. (liner notes to Miles Davis’ ‘Kind of Blue’) ”